Death Rage (1976)
A review of “Death Rage” (1976) that examines its blend of crime, revenge, and genre style while comparing it to the more iconic poliziotteschi of the era.
A review of “Death Rage” (1976) that examines its blend of crime, revenge, and genre style while comparing it to the more iconic poliziotteschi of the era.
A review of “The Price of Fear” (1956) , exploring how circumstances beyond our control, and our reactions to them, can drastically change the course of our lives.
A review of “A Hyena in the Safe” (1968) that spotlights its rediscovery, mostly unfamiliar cast, and stylish early giallo twists in a tight heist thriller.
An appreciation of Plaza Theatre – Atlanta, the longest continuously operating independent movie house in the city.
A review of “Tura!” (2024), a documentary about cult cinema icon, Tura Satana.
A review of “Thunder on the Hill” (1951), looking at its place in Sirk’s oeuvre as transitional to his better-known melodramas.
A review of “Blood Hunt” (1986) that examines its influences from quinqui cinema and the ways it diverges from the genre.
A review of “The Bride from Hades” (1968), that explores its tragic romance, social critique, and this adaptation’s unique take on the classic kaidan.
A review of “Sinners” (2025), exploring the connections of music, community, and survival in the face of ancestral trauma.
A review of “The Adjuster” (1991), a disquieting study of intimacy and distance, where fragile lives collide and boundaries quietly dissolve.
A review of “The Shrouds” (2024) that examines how the film weaves paranoia, eroticism, and doppelgänger imagery into a destabilizing portrait of grief, identity, and the limits of human connection.
A look at “Vigilante” (1982), exploring its revenge-film intensity, New York atmosphere, and ties to some more well-known films.